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From Baroque

A new shipment of Dear Old Thing, poetry and music may be soon, if we find ...

A Baroque poetry (probably Honorat of Porchères Laugier?), Set to music by Antoine Boesset in 1642.

object with sweet charms

enchaisné me under your empire

When I'm away from you

My tears testifie my martyrdom

And when I Revoy your charms

A excesses of pleasure gives me the decease

Who wants to keep his freedom

Must s'esloigner of Your sight

There is neither grace nor beauty

which the heavens do you have pourveüe

And the conquest of a lover

Coust Do your eyes a beautiful look only

Doncque for esviter death

What fortune should I follow?

Without you I grieve so hard

it is impossible to live

And when I Revoy your charms

A excesses of pleasure gives me decease

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Text # 5 William Kentridge

undress the woman is pressed against itself is a delicate operation, requiring thorough instruction and training hard. The awkwardness is fatal, false movements unforgivable. Everything must be accomplished smoothly, without impatience. A nail clinging, fingers closed on a recalcitrant exasperated, and the spell is broken. Casanova, you asshole passes in two big shots, buddy!
The ladies' man, as a pickpocket, to be exercised on a weighted dummy bells before taking action. The most sensitive is the bra. The shit! There are many modes of staples. And it's tiny, this filth! I took classes at a Belgian baron who owned a tantisoit ruined a comprehensive collection of all models in bras loloches. His fingers are fascinated when aristo pressure blew menus or hooks.
"- From the left! Advocated it. The right arm encircles his waist, he was taken prisoner. Butine left hand. She roams on the neck, hands up crazy hair near the ear, runs down the shoulder, plunges back, recognizes the field. At first touch, the conqueror must identify the brand of the bra and therefore mentally refer to its fastening system. Never use your thumb, too unbalanced, it's bumbling our hand, thumb, the big fool that we are never sure. Preferably, use the index and middle fingers by activating the inside. The unhooking must take place immediately, without any detrimental climate groping that took place. Some bras have only one setting, it is a cinch. But most have two. The ultimate is to achieve simultaneously releasing the two locks, there comes after several years of experience. The havoc comes from those who, for too sophisticated closures have multiple, often located diagonally. In these cases dangerous, not to lose his cool. Immediately identified, do not try to force your talent. Casually, take your pocket knife fitted with tiny scissors that you have previously identified their slot. You deliberately cut before closing the clamp taking care that the steel of the instrument is not in contact with skin burning (or supposedly) by your partner. Especially, the jaws of the scissors does not chew the bridle to address the matter, ensure that the blades are always sharp.
A butcher can cut it with the scallop blade chipped?
If you act properly, the lady will notice that the package when he filed his support anything that is to say when you no longer give a shit and when you will open it put two pies in the face If it rouscaillerait with too vehemently. "

Frederic Dard (San Antonio), The Year of the mold (large class).

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Here

"Ben almost similar. ... Ben is

it was a Saturday night. It was a ride to Paris, we drove, all that, and then at some point we parked the car and when we were in uptown we walked on foot. While walking, we realized there was on the side of the station, what, there is the restaurant. A side view. And on the side, we realized that there were sheds. And in the sheds could be seen stacked crates. ... And then we

And then after you had the bright idea of committing a robbery with burglary. I will say, however that the theft is theoretically punishable by a maximum sentence of three years in prison. Compounded by a circumstance like that meeting, it goes up to five years. And aggravated by a second occasion as burglary, it goes up to seven years. So suddenly you have a bright idea, but it's still a theoretical sentence of seven years. "

lyrics Caught In , Raymond Depardon tries to go behind bars to hear the voices of those who live there, but also to photograph those places trial, sentencing, defense, who have become places of life.

It is not the only one to have been a walk in space discharge. Many writers and photographers have sought to meet those that were unfit to coexistence with society today. The prison plot if only because it is closed and no one knows quite what's going on. Certainly they are not punished more, rather it monitors, it spreads mainly ... Voyeurism is no longer the same as if we were witnessing an execution, but it is there. Me too, this admittedly somewhat unwholesome curiosity piqued me, and in this case, we look primarily to see what was hidden from us.

Photographers are finally numerous enough to have treated this subject, but with very personal perspectives.

Jane Evelyn Atwood has made several forays behind the gates of prisons for women: for her, the project was initiated by curiosity, pursued with a view to testify, completed with anger. She openly takes the side of women, often victims of men they followed, they defended themselves or avenged.

Lizzie Sadin was interested to minors throughout the world, they too often lack no recourse to have a shelter or a roof. It shows the difference in the conditions of detention in Africa, Asia, Europe, North America.

KlavdijSluban interested in those "parentheses" prison of teenagers in France, former USSR and former Yugoslavia, the newspaper outside the current time.

For Raymond Depardon, text and image complement each other to add the ears to eyes, to say also what constitutes the chaotic journey to the prison box.

All these photographers, to greater or lesser scale, have in common the desire talk about what they saw and experienced as to remove an excess of testimony which the snapshot is not enough, talk to those they met, sometimes to defend them, sometimes just to explain. All also have in common the black and white, blacks more often than whites, the shadows, the thin rays of light filtering through the plants. These choices are also aesthetic biases.

Many other photographers have obviously worked on the topic, many have also testified in writing, and finally, a lot of movies, dramas and documentaries.

Two pleasant surprises lately :

-Dog Pound Kim Chapiron, fiction about the detention center for minors Enola Vale, Virginia. The argument of the film press was to insist that the actors were in fact real juvenile delinquents who caused a lot of complications during filming. Dubious argument, but excellent film, actually. The main character, Butch, played by Adam Butcher, is absolutely convincing.

- Prison Valley , web document innovative Philippe Brault and David Dufresne, launched in recent months by Arte. The exception here is we do not travel behind bars, but we will examine everything that revolves around the prisons around a valley that U.S. based most of its activity and its economy on prisons an industry that knows no crisis, especially in the United States. The process is very interesting also for its organization: the user moves himself into the valley, go to the interviewees, etc..

Some foods for eye / ear / ideas, so:

Jane Evelyn Atwood, Too many penalties: Women in Prison, Albin Michel, 2000.

A

photopoche has also just published the entire work.

http://www.janeevelynatwood.com

Lizzie Sadin, Minors in penalties, photopoche society, Actes Sud, 2010.

http://www.lizzie-sadin.com

KlavdijSluban, brackets photopoche society, Actes Sud, 2005.

http://www.sluban.com

Raymond Depardon, Send prisoners, Knopf, May 2004.

Depardon has also made documentary films on the subject, Flagrants Torts (1994) and 10th Chamber, moments of hearing (2004).

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Wandering

A. Action walking, traveling constantly (cf. wandering ). The long wanderings of Israel through the desert world was coming to an end it? (THARAUD, next Year, 1924, p. 266).

B. Action walking aimlessly at random. Do seeks more goal now your endless wanderings (Gide, Fed. Terr. , 1897, p. 244): As the servants

Abraham, the shepherds of the mountain are dedicated to the care of their flocks, and attached to the wandering their animals.

This wandering, Raymond Depardon seeks to define a path through to both literary and photographic.

For him, it lies in the quest for acceptable location, but also in developing a photographic eye. He therefore, random routes, avoiding especially to create a route to better establish its loss, thus avoiding the places he knows or which is no longer easy to make sure of one thing: the lack of tags , displacement without an anchor, a look at the world asked for guidance only.

He justifies his choice of a format that is precisely not the landscape, no doubt he takes what he sees as if they were still human.

It is difficult to say what really Wandering and is the negative self-evident. Certainly, this is not a story that tracks the testimony of the event. It does not, contrary to his work on The Farm Garet, of an autobiographical work. So we know what that Wandering not. Remains to be said if the author seeks neither the fact nor its origins, nor perfection of form, is still a quest that takes place there, conducted in a calm and determination, obstinacy perhaps.

is readily admits some corners as the "own", they are not necessarily having attended, albeit briefly, but because we found there instinctively. Some like, others not. The ugliness has no limit in this course, despite the highly smoothed images. There is as much as supermarket car parks mythical places, and the most popular images are not necessarily the most anticipated. The wandering seems to inhabit these spaces that we no longer see, no towns or rural areas, between the two stripped of meaning.

How Depardon moves in what sense, drawing any trace, no one knows, not even him. Nevertheless: we follow it, and continue to lose, meetings are held.

E rrance , Raymond Depardon, Le Seuil, coll. Points (one pocket with photos, yes), 2004.

The photographs reproduced here are disgusting, sorry Raymond.

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behind You and me

The Serbian artist Marina Abramovic has worked for years using his own body as artistic material and tool around its performance. She is engaged and a constantly renewed experience of his own limitations, and examines the relationship between men and women or, more simply, relations that unite and separate human bodies.

In 1988, with The Walk, she and her partner Ulay traverse the Great Wall of China, each foot from each end and for 2000 kilometers, until they meet in the middle to "say goodbye and never work together. "

For many of her performances, she puts her own body at risk and seeks to involve the viewer: this link the public and the world is an essential component of his approach.

Today, she repeats this process at MoMA in New York with The Artist IS features.

From March 14 until May 31, the artist is sitting on a chair to the museum during all hours. All those who want you, I can come and sit facing her as long as they want. Some come to laugh, others cry too sometimes.

whole performance was filmed and broadcast live on the website of the MoMA. It there.

You will also see a photo gallery of all the "faces" come stand opposite to the artist. They are funny, sad, famous, anonymous, inspired, bored, excited, pretentious, uncomfortable, multiple.

short is good.

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Text # 4

The regular line is easily recognizable to the economy and natural elegance of its approach, like an old sea dog who is descended from a calm at dawn to his canoe and appreciates to a look at the billowing waves at the output port, measuring the wind without seeming to touch, but also less histrionic applied a taster of wine, listening without appearing to pay attention to the lapping of waves against the dock and the cry of seagulls still gathered on the shore or the sea already scattered in small herds greedy, the seasoned traveler, especially if it is in the prime of life and do not yield easily to the desire of a sudden start on the stairs for fun, is distinguished by the mastery of his movements in the corridor that leads to the dock, he walks without laziness but without haste, without anything lets see his senses are awakened. When

, looming walls of earthenware, the sound of a train is heard, maddening most passengers hand, he knows he must force the pace or not, whether he appreciates fully informed Because of the distance between the pier and decided to try his luck or not, whether he has identified the source of the din or recognized in this provocative lure (specific stations where lines and spend more than French for this reason called correspondence while Italian, more precise and evocative talk to them about coincidences) a call from elsewhere, echoing misleading to another train, the temptation of the error and the promise of wandering.

Arrived on the platform where he can not stop and its location, which allows him to effortlessly access the door of a car, also corresponds exactly to the nearest point of "his" exit to the arrival platform.

Thus we can see the old regulars meticulously choose their starting positions, making their marks in a way, like a high jumper, before you rush to their destination. The more scrupulous zeal grow up to choose the best location of the car that they can leave as quickly as possible once they arrive. More tired or older some try to balance this need with the tactical need of rest and gladly seized the last remaining free jump seat with a mixture of discretion and speed, which translates, too, man of experience.

Marc Augé, An anthropologist in the subway, Hachette Literatures.

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Duane Michals

photographer and poet who speaks for itself, my favorite among all ...

The unfortunate man

"The unfortunate man Could not Touch the one he loved. It Had usurped illegal By The Law. Slowly, history Became toes fingers, hands and His feet Became gradually.

He Began to wear shoes on His hands to disguise historical bread. It Never Occurred To Him To Break The Law. "

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Dance

A first, but the discovery worth sharing:

The video is not exceptional, but the show, yes!

So it Frenak Pal, representing a few days at the Centre National de la Danse in Pantin. And like everyone else does not live Pantin, the show was Live Web filmed for Arte and it will be available on the net in some time.

It is difficult to summarize or even give an idea of this dance, let's just say it speaks of desire, violence sometimes, so sometimes dramatic, sometimes shifted. This work integrates the millimeter music and highlighted perfect: the result is as striking as gratifying. In short, it takes you and it does not let you go.

For skeptics (even the real video of Arte), the trio back to bare (almost) final on sofa it's just awesome. For skeptics skeptics, but in love with Antony Hegarty, is his wonderful recovery Knocking on Heaven's Door completes the representation. For very skeptical, I do not really see what I can do for you. If an image ...

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Text # 3

The third time Séverine deciphered quickly print:

Madame Anais - mezzanine left.

And she entered the fourth.

Séverine did not know how to model climbs the stairs, or how she was, a door opened in front of a nice big blonde woman still young. The breath failed him. She tried to escape, did not dare. She heard:

"You wish, Mademoiselle?

And whispered

"It is you who are ... that you hold.

"I'm Mrs. Anais.

"Then I wanted ...

Séverine glanced stray on the hall where it was:

-Come talk quietly," says Anais. She introduced the young woman in a dark room lined paper, with a large bed quilts red.

"Well, my dear," replied Mrs. Anais soon with good humor, you would like to put some butter on your bread. I am ready to help. You are nice and fresh. This is the kind pleasing here. Half for you, half for me. I fee.

Séverine nodded without answering. Ms. Anais embraced.

-A little emotional, I see, "she said. The first time, right? You see, this is not very terrible. It is too early, your buddies are not there. Otherwise they would say. When do you start?

"I do not know ... I see.

Séverine suddenly exclaimed forcefully as if she feared not being able to go out:

-In any case at five o'clock I must go away ... You.

-As you wish my dear. Two to five is a good time. You'll be the Belle de Jour what. Only must be accurate, otherwise we get angry. At five o'clock you will be free. A boyfriend who is waiting for you, is not it? Or a small husband ...

"Or a little husband ... Or ... Or a hubby hubby ..."

These words on which she had suddenly Ms. Anais left, Séverine murmured the stubbornly. She did not understand them, but was overwhelmed. She passed the colonnade of the Louvre, this looked so noble facade whose simplicity, a second, did him good, but she immediately turned her head and she was not entitled to this show.

Belle de Jour, Joseph Kessel.

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The adventure continues!

After Saint-Cyr-sur-Loire, is the turn of Orleans to host "Behind-the-bushes"
of 5 to 22 February at the Urban Agency of the Orléans area. Who
of Saint-Cyr or Orleans will be the more appointments?

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Feeling good!

On Wednesday, it's music (do not see any logic)

This song is my humble opinion one of the most-times-adapted massacred.

below, my favorite version ...

another version known and appreciated ...

version class, but frankly sweetened

For the rest, I'll let you look, there's plenty to do.

All the old fine and / or monuments of jazz there are rubbed.

Mario Salieri Vidéo

A preparation foolproof ...


for hours, tirelessly (but without renouncing the union breaks anyway!), We mounted the exhibition of "Behind the Bushes." Despite a tight timing, we have finally arrived!

Photo credit: Benoit Faure

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Result ...


The world was at the rendezvous. More than 150 people present at the opening of the exhibition according to the Giraffe (thirty police said). A success. But beware
Expo continues! until January 31, 2010!

Photo credit: Benoit Faure

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A great little camera thing: the pinhole.

The principle of the pinhole (also called "pinhole photography": So pinhole photo ) Is quite simple, since it is the founding principle of any captured image ..

The idea is to puncture a sheet of aluminum foil with a needle and place it under a lamp. On the surface below, you will see the inverted image of the lamp. Apply this principle in an opaque box, photographic paper at the bottom, and grow. If I'm really incomprehensible, you'll find plenty of tutorials on the web. We can even make a pinhole camera with a can of beer. Yes.

What's great in the pinhole is that, as often for DIY home, it stimulates creativity. So there is a delightful profusion of nerds that make pinhole of all sizes, all kinds, in all circumstances and with anything.

If you want to see lots of pinholes ... loot. This is often done by amateurs crazy, and often brilliant. For a good perspective of the thing, go take a look at Photopoche dedicated pinhole.

Here is what it looks like: (a Photopoche finally).

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Introducing The Giraffe


Giraffe architects (37) is an association law 1901, which aims to remember that architecture is a public utility. Comprised of young architects Touraine 5 years, the Association has developed various projects to be the envy of Architecture: The Gazebo, park benches, the Cyclo Yurt with the FFB, the "What would you "with New Republic, participation in department expenses, workshops open architectures with the FRAC Centre Tours and City Tours, Conference and Nathalie Franck Yves Ballot in 2007, days of sustainable development with the City Tours (2007, 2008 and 2009), expo and conference Silo Avignon Clouet to Annex St. Avertin in 2008

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A foretaste of exposure

You will find in this blog a taste of the exhibition.
Caution, this blog is under construction and reflects only a small part of the exhibition.
See you soon?

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WMA - Willy Muller Architects SLP
Ronda Sant Pere 58, Main 2b
ES-08010 Barcelona

Phone +34 93 319 50 82 Fax +34 93 319

86 34 Mail: info (at) www willy-muller.com
. muller.com willy-

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WMA - Willy Muller Architects SLP
Ronda Sant Pere 58, Main 2b
ES-08010 Barcelona

Phone +34 93 319 50 82 Fax +34 93

319 86 34 Mail: info (at) willy-muller.com
www.willy-muller.com

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AM ARCHITECTURE
of 47 BC Liberation
Rezé
44400 Tel. : 02 51 81 97 62
contact@amarchitecture.fr

> www.amarchitecture.fr

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Alexandre Dupouy

architect DPLG
60 rue Pauly
33130 BEGLES

alexandre.dupouy @ hotmail.fr

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PATRIARCHE & Co..
Bernard Maillet - Architecte + Shareholder

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LE BOURGET DU LAC CEDEX

+33 (0) 6.07.70.99.49
+33 (0) 4.79.25.37.30

www.patriarche.fr

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Geodesy by Voltolini Architectures



Voltolini Architectures
11 Avenue January 24, CH - 1205 Renens
PO Box 195, CH - 1000 Lausanne 6 Tel
. : +41 (0) 21 601 66 64

Mail: samvoltolini@bluewin.ch

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Workshop RVL
43 rue Entraigues

37000 Tours Tel. : 02 47 70 16 00
Mail: rvl@atelierRVL.com

> www.atelierrvl.com
Photo: Gaëlle Boulicot

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Architect, Architect



Fabienne Bulle Architect
113 Avenue de la République 92120 Montrouge

Tel. : 01 46 12 02 95
Email: fabulle@orange.fr