Désiré Magloire Bourneville and Paul-Regnard,
Attack of Hysteria, First Phase, c. 1877.
Plate 2 of the Photographic Iconography of the Salpetriere Institut de France
"I think this says about Freud in Civilization and Its Discontents on the recovery of the animal with four legs: when He stands up, the monkey became a man loses the sense of smell. In short, his genitals away from his nostrils. Only coitus, Freud says, gives to the human sense of taste and mood of sex. There is a "drop-all" which is not unrelated to the trance, and as Professor Charcot say about the hysteria it provoked in the eyes of the young Freud in Paris, "there's something in there genital". "
In The Feminine and the Sacred, Julia Kristeva and Catherine Clement repeat these words Charcot's ecstasy of women at the Salpetriere.
Designate the "genital thing" in hysteria is first refer to the etymology of the term, related term uterus. Until the nineteenth century, in fact we thought that hysteria was a disease caused by the ascent of the uterus in the body. But
describe this monstrous thing, it's also remember that, socially (and in some religious influences), the place also serves as the bodies of hierarchy. Above, the noble seat where the head thinking, chaste seduction of the hair, eyes (apparently windows of the soul), the tears. Below, the ignoble bodily waste, anchoring in the ground, and the seat is also the principle of the drives (it seems animals) ...
In hysteria, when the woman turns into a beast, he there could be something that the low animal. But why women in particular?
The woman is the subject of study by Dr. Charcot, a psychiatrist at the Salpetriere at the end of the nineteenth century. He became interested in hysteria, creating a city psychiatric in Paris, trying to understand and classify the disease into "types". To do this, it installs a photographic service in its local and develops an iconography of "crazy".
In The Invention of Hysteria , Georges Didi-Huberman focuses doctor and his approach to patients of the Salpetriere. He questions this strange link between those who cure, observe and sometimes contemplates his countless models, around 4000 women were then locked away. Indeed, Charcot did more work exhibition that healing. In his famous "Tuesday Lessons", many people come to see and hear the crazy, one class is meant. Georges Didi-Huberman
attempts to decrypt this micro-society based on image and spectacle, made possible by advances in photography.
When he speaks of Invention of Hysteria , the author believes the term "invent" such as create, imagine, then as abuse of this already-created, and finally as find (as we invent a treasure), c that is to say fall on the thing by accident.
Obviously, Charcot would be dropped on a genital thing. Ah want.
I recommend therefore: Invention of Hysteria Charcot and the Photographic Iconography of the Salpetriere Georges Didi- Huberman.
In The Feminine and the Sacred, Julia Kristeva and Catherine Clement repeat these words Charcot's ecstasy of women at the Salpetriere.
Designate the "genital thing" in hysteria is first refer to the etymology of the term, related term uterus. Until the nineteenth century, in fact we thought that hysteria was a disease caused by the ascent of the uterus in the body. But
describe this monstrous thing, it's also remember that, socially (and in some religious influences), the place also serves as the bodies of hierarchy. Above, the noble seat where the head thinking, chaste seduction of the hair, eyes (apparently windows of the soul), the tears. Below, the ignoble bodily waste, anchoring in the ground, and the seat is also the principle of the drives (it seems animals) ...
In hysteria, when the woman turns into a beast, he there could be something that the low animal. But why women in particular?
The woman is the subject of study by Dr. Charcot, a psychiatrist at the Salpetriere at the end of the nineteenth century. He became interested in hysteria, creating a city psychiatric in Paris, trying to understand and classify the disease into "types". To do this, it installs a photographic service in its local and develops an iconography of "crazy".
In The Invention of Hysteria , Georges Didi-Huberman focuses doctor and his approach to patients of the Salpetriere. He questions this strange link between those who cure, observe and sometimes contemplates his countless models, around 4000 women were then locked away. Indeed, Charcot did more work exhibition that healing. In his famous "Tuesday Lessons", many people come to see and hear the crazy, one class is meant. Georges Didi-Huberman
attempts to decrypt this micro-society based on image and spectacle, made possible by advances in photography.
When he speaks of Invention of Hysteria , the author believes the term "invent" such as create, imagine, then as abuse of this already-created, and finally as find (as we invent a treasure), c that is to say fall on the thing by accident.
Obviously, Charcot would be dropped on a genital thing. Ah want.
I recommend therefore: Invention of Hysteria Charcot and the Photographic Iconography of the Salpetriere Georges Didi- Huberman.
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